Showing posts with label Republic of Georgia. Show all posts
Showing posts with label Republic of Georgia. Show all posts

Wednesday, June 27, 2012

As Dreams Are: The Kitten and The Boulder


I am standing in a large room.

No. It is not a room. It is more than that.
A building?
Yes. An entire building.

It is the type of building that has layers.
Floors.
Levels.

It is tall. I can see myself from above and I look incredibly small. I can see the entire building from above. I can look through the walls and examine the space as if it were a blueprint. I feel as if something lives here. The space is massive. It is massive enough for a leader of a nation to call home.  

The walls are sandy. It has an Arizona tint. The atmosphere is a slightly burnt orange. The colors remind me that I should feel hot. 



                                                   But I am neutral. I feel nothing.

The building is a large corporation. Similar to a Walmart or a Costco. It is a large supermarket for your everyday needs. I am one of many; stocking shelves that rise with no end in sight.
The products.
Ceaseless.

There is no ceiling. There are only escalators and they only go up.

I ride an escalator to what I believe is the top floor.  It is time for me to leave. To go home. I don’t remember working very long, but I have the sense that I have just spent a lot of time in this building. I run into my father and step-mother. They have a kitten in their hands.

“We just found it. You must hold onto her and deliver it to your sister. Hide it,” my father says.

They are very eager to pass the kitten down to me. I don’t understand why I must hold onto the kitten since we are going to end up at the same place eventually. We will end up home. 

I agree to take the kitten. I smile as it fits into the palm of my hand. It is silent and small. Black and white. Luckily, I have a large knapsack and she fits perfectly inside.

I walk across a large glass ballroom where all of the cars for the employees are parked. It is an enormous square plot. A giant used car sales lot. I find my car and it looks as if it will be impossible to move.

I am inside, behind the wheel. I throw my knapsack behind me. In mid-throw I remember the kitten, but when I search for her I realize she is gone.

                                                              Did she fall out?

                                                        Hide it. Hide it. Hide it. 
I hear these words. I panic that whomever I am supposed to be protecting the kitten from will find it.

I run across the lot and retrace my steps. I see in the distance a large crowd.
Commotion.
People wearing black shirts.

My kitten must be there. Crowds always gather around a kitten.

Black cats and kittens scatter immediately once I begin sifting through the sea of people. My kitten is not there.

                                                                    Crack
A rumbling from above.

I look up and I understand why I never could see the ceiling before. The roof has been replaced by a mountain. The summit is indistinguishable because it is that high.



                                                                      The Himalayas
                                                                            Everest
                                                                             Nepal
                                                                             Japan
                                                                              Fuji

The base is hazy. Rust and sepia. Wisterias somehow have planted themselves amongst the rocks and grass. They fail to climb to the peak.

A dusty clay-like boulder detaches itself from the hidden tip. It happens so fast and before I know it chaos breaks out. The boulder is rolling quickly. It is suspended in midair. I am not sure where to go. The boulder is on a mission to destroy.

                                                                            People
                                                                           Running
                                                                        Everywhere

The boulder knocks through people.
Squishes.
Rolls flat.
It is a bowling ball and we are the pins.
Strike.

It crushes the vehicles. I watch from afar as it flattens my car.

                                                                            Snap

I never noticed the wires before. The boulder has detached metal wires from their post and they are now whipping throughout the air.
           
A man with sandy brown hair, brown eyes looks at me from across the room. I am reminded again of the recently frightening gaze men seem to penetrate me with in my dreams.

“I have a splitting headache,” he screams at me from across the chaotic crowd.
“I have a splitting headache,” he repeats.

A group of three runs in between us.
It is loud.
It is so very loud.

I think back to the kitten and wonder where it is. 
Is it safe?

Before I can go anywhere or say anything another wire snaps and whips through the sandy brown-haired man. It slices through him. His body falls apart vertically. Into thirds. Evenly spaced pieces. He slinks to the ground. His heart is in pieces but his head is partially intact.

I am standing next to him. His face, from his chin to his eyes, is sliced apart but his brain, his skull cracked open like an eggshell, is still as one. His eyes. Slowly blinking. I watch him breathing.

“I have a splitting headache,” he says once again. His eyes. Never leaving mine. He never stops watching me. He never removes his gaze.

                                                               And now it is quiet.

There are still thousands of people running for escalators and elevators. They are all searching for a place to retreat to. They are all searching for a way to get away from the mountain. Running away from the boulder. Sprinting from the wires. They can’t find a way to lower ground. But it is quiet now. I cannot hear them screaming. I cannot hear them yelling out for lost family.

I think back to the kitten. I think back to when the boulder crushed my car.

If I had never lost the kitten then I would have been inside when the boulder crushed my car.
           
There is no way I would have survived. This realization makes me feel uneasy. I am appreciative for the kitten.

                                                                         Panic 
Just the tiniest change in events could have altered everything. I feel as if I will be stuck forever feeling as the woman who beat death by a second.

                                                  And then everything is different.

I am back at the beginning, but it feels slightly off. I am still me. It occurs to me I am living in an alternative timeline.

I am back at the beginning. I am back stocking the never-ending vertical shelves. I am back with a kitten in my knapsack. I walk to my car in the lot of in-tact, packed-in vehicles. The kitten is in my lap. Before I can start the ignition a spherical shadow is looming behind me. I see the mountain in my rearview mirror. I never noticed I had parked at the base of a 30,000 foot mountain.

I see the boulder. It is heading straight for me.

                                                                        Déjà vu.

This is the timeline where the kitten never left. This is how this short-lived life plays out.

I stare at the kitten and I am angry. I do not understand why my life is so heavily determined on such a small object.

                                                                        Darkness.

I am back at the beginning.  Restart. The kitten has left. The boulder has never reached me. Wires snap, flailing left instead of right. The boulder rolling, careening right instead of left.

“I have a splitting headache,” the man screams out over the hysterical mass. A wire snaps through him horizontally instead of vertically. He falls apart again, still in thirds. His eggshell skull exposes his now barely functioning muscle.

The amount of timelines are endless. I fear that I may never wake up. I am worried it may soon be my turn to fall apart into thirds. I panic for when my splitting headache may be too much. I do not know how to escape this cycle.

                                                                               It is loud
                                                                              The cycle
                                                                              It repeats
                                                                                It ends
                                                                               It begins
                                                                   It repeats all over again

I am angry for thinking about the kitten. I fear that my thoughts have instigated this repetitive sequence. How does it end? How to make it end? I want this dream to end.

But it doesn’t.

And then… everything is hazy.

And then…everything washes out to yellow.

                                                                     And then…it is quiet.





Monday, April 23, 2012

"Are You My Father? Then How Am I Your Grandmother?!" How Telemundo Made Me Feel Strangely Accomplished

For the length of 2011 and a month into 2012 I had the privilege of living and working as a volunteer English teacher in The Republic of Georgia. As to be expected with any international traveling there were challenges and cultural differences to overcome. How to properly refuse excessive marriage proposals or how to respectfully decline a fifth glass of wine were only a few of the How-To skills I picked up in a country abundant with oxymorons. One How-To skill I managed to borderline master was how to stay clear of engrossing myself into the drama of Spanish Telenovela's. 


I understand the soap opera's exaggerated worldwide appeal, but the steadfast determination Georgian women held to their 'stories' caught me off guard. It wasn't unlike the determination you may find with a housewife and her own daytime 'stories.' I was surprised to find that women in Georgia were looking for the same nonsensical drama in their TV sets as most women in America were also searching for. (Honestly, I was also surprised that most homes in Georgia had at least one television set.) In a way it made a lot of sense. In a country where a sexual revolution had yet to break free it made sense that Georgian women (and sometimes men) would cling onto their TV sets waiting to find out whether it was the muscle-clad businessman Carlos or the oily-haired farm boy Jorge that impregnated the innocent yet feisty Sonya. It was a cheap way to obtain all of the sexual drama so obviously lacking in a typical Georgian women's life. Telenovela's were exotic. 


It could be early or late. At home with my host-mother, fifteen minutes across town with my grandmother, or across the dirt road at my neighbors home. If I entered a room and a 'story' was on the television I would be instructed to join in and watch the fictional drama unfold. I usually did not mind since it always concluded with tea and chocolate. Not an awful set-up. 


I'd watch as five different Enrique Iglesias lookalikes would run laps around the scantily-clad Beauty chanting promises of fortune and happiness. She was almost always in tears. The tears would almost always cue the dramatic music. I could barely contain my laughter and eye-rolling. 


A huge family secret was just exposed, Beauty (or Sonya or...[insert generic name]) would break down hysterically, the weepy violins would begin playing...and commercial break. The first time I attempted to watch an episode with selected members of my host-family I thought it was a joke and I laughed. I was the only one in stitches. The others were stuck on deciphering the dialogue (the Spanish dialogue was still in-tact and at a medium volume while Georgian dialogue, dubbed over the Spanish, rang clear. It was common to hear both languages at the same time) and intentions of every character involved that they could not see through the hilarious nature of the ridiculous premise. I could only allow myself to sit for ten minutes of each episode before excusing myself to catch up on some reading, take a walk, or play with the stray dogs in the street. But it was at least an amusing ten minutes of watching both the Spanish and Georgians handle their dramatic love lives (or lack thereof). 


The only Georgian female I knew who wasn't sucked into the kaleidoscopic-like world of Telemundo broadcasting was my 15 year old host-sister Linda. She would comment on occasion how much she detested the Telenovela's and how frustrating it was to watch so much crying. 


"Everybody is always crying!" Linda would scoff. "Stupid girls!" 


Yes, Linda was a smart one. 


It was common for our television in the home to always be on. Every five minutes a commercial advertising a new serial of "Telemundo Presenta" would chime through the walls into the bedroom I shared with Linda. A deep-set voice would explain in Georgian the plot of next week's episode and end suddenly and dramatically with the words "TELEMUNDO PRESENTA!"


Eventually as Linda's English skills increased so did her level of humor, sarcasm, and wit. It was our tradition to sit in the kitchen late at night and eat sweets or drink a cup of hot chocolate. We were as silly as two girls could be at late hours consuming a bucket of sugar. 


"Linda, could you hand me a napkin?"
"No," she smiled at me.
"No?"
She shook her head.
I slammed my hand on the table. "Young lady! I am your father and you must do what I tell you to do!"
"Are you my father?!" She whipped her hair to the side and stared at me dead in the eyes. "THEN HOW AM I YOUR GRANDMOTHER?!"
"Wait, what?"
"TELEMUNDO PRESENTA! (Dun Dun Dun)"


It was the first time she Telemundo Presenta-ed me. 


"Oh, that's some good stuff," I said. "I'd watch that episode. Is there a lot of crying?"
"Of course, Gogo.* [Georgian for 'girl.'] She is his grandmother. There has to be a lot of crying."


Every now and then Linda would catch me off guard and run into our room screaming various one-liners:


"Quick, Gogo! A goat has escaped!"
"Wait, what?" 
"TELEMUNDO PRESENTA!"


                                                                 or


"My father has killed someone! But he was never my father! He was my sister!"
"Wait, huh?"
"TELEMUNDO PRESENTA!"


Eventually you could end any conversation with a "Telemundo Presenta!" 


One night Linda approached me with a proposition. 


"We should film Telemundo Presenta. I want to remember this when you are gone."
"That sounds like a great idea. What should it be about?"
"I have a story. Can you write down my words?"
"Of course."


And this is what she had me write down:

(I saw you in the garden! Don't you deny it!)


 (I just could not tell you what I wanted to tell you...)


(And our father is our brother!)



"Wait, so I was kissing my brother in the garden then?"
"It does not matter," Linda waved her hands in the air. "That was so long ago. Nobody will remember."
"All right, if you say so. This is your Telemundo."


After a couple of takes and one interruption from Meri, Linda's mother (it was after Midnight...), wondering what all of the screaming was about we finally got our 'picture.' It was also Linda's idea to set the alarm on her telephone so it would appear that the two-timing Alejandro was calling her. She's one for details. 

(Telemundo Presenta: Secret of Relationship)


It has been about three months since I've been back home in America. Looking at my papers and videos from Georgia and especially from this one night with Linda I am struck with a thought. Perhaps enough time has passed that I can now look at certain people, events, and moments objectively, but I was impressed with the level of creativity Linda had put into this tiny production. Eleven months prior to when this was filmed Linda knew very basic English. Words like "far" and "close" escaped her. After watching this I had this realization that I had a hand in helping this young girl build up enough English vocabulary, structure, and wit. All within a year. It left me feeling rather accomplished. 


It was quite easy to feel as if I wasn't accomplishing a whole lot in the classroom due to weather, school, and/or common structure restrictions, but when I look back on this little gem I am reminded that I did serve a purpose. And Telemundo had a strange way of helping me along to this realization. It's like that Albert Einstein quote (because no entry would be complete without a sappy quote!):


    "It is the supreme art of the teacher to awaken joy in creative expression and knowledge."


Yes, I suppose that's true.